veronica_rich (
veronica_rich) wrote2008-03-26 01:44 am
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The spammage continues
(I feel like this should become "Vacation: Day Five-01" or something)
Surely everybody and their pet iguana has likely seen the link to the blog entry by now from the woman who claims that writing and reading m/m slash is perpetuating male heirarchy and expectations, rather than being the subversive, non-mainstream thing we all thought it was when many of us got into it several years ago - before the mainstream actually had ever heard of "slash" or "fanfiction."
My take on slash is that I enjoy it as a form of romance in a way that I don't any longer enjoy the vast majority of "typical" m/f romance novels, by and large. When I buy a book, I buy something about science or history, or suspense and sci-fi, but rarely do I buy a categorical romance, though I did when I was much younger. I understand this sounds like a rather shallow reason for enjoying something that takes up several hours of my life each week, but it would be disingenuous for me to pretend otherwise.
And as much as I love reading and occasionally contributing my own meta on my preferred slash pairings, the fact is that I rarely give it the kind of internal examination we were required in college to give Chaucer, or the reasons behind the 19th century labor movement. I am capable of that level of dissertation - I just don't want to, with slash, or even fanfic, all that much. Perhaps this is why I grew so impatient with all the POTC meta-chatter following DMC - are we not allowed to have something we just enjoy, without having to defend why, so long as we're nice to our fellow fen and don't try to step on their toes? I mean, I asked someone at another post earlier to define radical feminism and explain its appeal over what he called "liberal/status quo feminism." And while he gave me a pretty good explanation, and it's something I would gladly see parts of applied to real-world changes ... the fact is, when you try to apply it to something you do alone in your off-hours to unwind, it just comes across as so much overblown horseshit. Am I alone? Or just exceedingly shallow, that I don't see "something" political in EVERYTHING that comes across my field of vision on a daily basis?
EDIT: Unless lesbian fanfic is being written with an eye toward reality (e.g., women who don't have Barbie-figures and long, flowing hair, who don't want a man in their bed or between them and their girlfriend, or WATCHING), how is it any different from what I have to put up with out of many men on a regular basis? The only difference between their lesbian fantasies and my m/m ones is that they can discuss theirs out in public and it's accepted as being part and parcel of being a hetero man ... but if I try to discuss the fact that I like to watch two hot men get it on for my benefit, I'm perverted and weird. So ... I'd love for this FEMINIST to tell me why I should spend MY time and effort perpetuating a MAN'S fantasy in written form.
Surely everybody and their pet iguana has likely seen the link to the blog entry by now from the woman who claims that writing and reading m/m slash is perpetuating male heirarchy and expectations, rather than being the subversive, non-mainstream thing we all thought it was when many of us got into it several years ago - before the mainstream actually had ever heard of "slash" or "fanfiction."
My take on slash is that I enjoy it as a form of romance in a way that I don't any longer enjoy the vast majority of "typical" m/f romance novels, by and large. When I buy a book, I buy something about science or history, or suspense and sci-fi, but rarely do I buy a categorical romance, though I did when I was much younger. I understand this sounds like a rather shallow reason for enjoying something that takes up several hours of my life each week, but it would be disingenuous for me to pretend otherwise.
And as much as I love reading and occasionally contributing my own meta on my preferred slash pairings, the fact is that I rarely give it the kind of internal examination we were required in college to give Chaucer, or the reasons behind the 19th century labor movement. I am capable of that level of dissertation - I just don't want to, with slash, or even fanfic, all that much. Perhaps this is why I grew so impatient with all the POTC meta-chatter following DMC - are we not allowed to have something we just enjoy, without having to defend why, so long as we're nice to our fellow fen and don't try to step on their toes? I mean, I asked someone at another post earlier to define radical feminism and explain its appeal over what he called "liberal/status quo feminism." And while he gave me a pretty good explanation, and it's something I would gladly see parts of applied to real-world changes ... the fact is, when you try to apply it to something you do alone in your off-hours to unwind, it just comes across as so much overblown horseshit. Am I alone? Or just exceedingly shallow, that I don't see "something" political in EVERYTHING that comes across my field of vision on a daily basis?
EDIT: Unless lesbian fanfic is being written with an eye toward reality (e.g., women who don't have Barbie-figures and long, flowing hair, who don't want a man in their bed or between them and their girlfriend, or WATCHING), how is it any different from what I have to put up with out of many men on a regular basis? The only difference between their lesbian fantasies and my m/m ones is that they can discuss theirs out in public and it's accepted as being part and parcel of being a hetero man ... but if I try to discuss the fact that I like to watch two hot men get it on for my benefit, I'm perverted and weird. So ... I'd love for this FEMINIST to tell me why I should spend MY time and effort perpetuating a MAN'S fantasy in written form.
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lazybusy to take a serious look at it.)Really, honestly good fic - in any category (slash, het, etc) - tends to be rare. That's why so many activists (like "dissenter") and so many academics (that I'm surrounded by at the college) refuse to give it any credence. They will invariably point at that one measly little Mary Tyler Moore Characterization... :-p
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I think fanfic is not given academic credence - no matter what orientation it is - because it's taking other people's characters without permission and doing things with them, and that's a big literary no-no ... sort of how I get worked up with RPS because it takes people's identities for the same reason. Which ... honestly, I don't care, because as much as I like some of the stuff I've written (yeah, I'm immodest), if LJ crashed tomorrow and I lost it, it wouldn't hurt me the way losing an original story has, due to HD crashes.
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And it's not like "meta fiction" never gets published - books like Wide Sargasso Sea or Foe or the collections of short stories by horror authors set in H. P. Lovecraft's world. I'm sure all those authors were writing the equivalent of fan fiction before their meta stories were actually published.
The larger problem, I think, is that everyone knows about fan fiction, thanks to the internet, and can access it easily (these days). That sort of thing is supposed to remain hidden - at least until it does become acceptable for publication (and is given permission via legal and monetary settlement).
(I remember reading an article that separated the fan fiction and meta fiction along male-female lines. iow: When women play in someone else's world, it's fan fiction, and should be ridiculed. But, when men play in someone else's world, it's meta fiction, and should be published. But I can't find the damn thing. I'm thinking it might not have had a solid argument (Wide Sargasso Sea?), or I would have mentioned it before.)
Basically, I'm saying it's not like academia doesn't, at times, advocate doing exactly what fan fiction does. I suppose they just like to feel they have control of it. And, with the internet, there's still the unnerving lack of it (from some viewpoints ;-) ). It also tends to involve one of the "lesser genres" (fantasy, scifi, porn, cop shows :-p)...
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