veronica_rich (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
veronica_rich) wrote2010-04-01 11:19 am
veronica_rich) wrote2010-04-01 11:19 am
The Minor Character Adoption Society
As a writer, have you ever adopted a minor character from someone else's canon for the express purpose of giving them a story? Or six?
I've done it three times, or should say, feel like I'm in the process of doing it a third time whether I want to or not: Reg Barclay from Star Trek: TNG, Prissy from POTC (she didn't even have a name - the fat woman from the first movie, who rubs up against Will in the tavern), and now it seems my brain wants to take home Hillary from the Tomb Raider movies and feed him little doughnuts (whoops - no, that's me who wants those, sorry) and transcribe his history and minor adventures. Just last night I came up with ideas for two more stories.
(I have other stories I need to finish! I have other characters in the brain already. *weeps*)
What is it about minor characters? Is it because they present such a blank canvas? Is it the mystery of trying to piece together a past or expand upon something glimpsed in canon but not much addressed? I know for a fact some of you have taken someone who had two lines in a movie and given them a better history than screenwriters gave the major characters.
I didn't invent these characters. I don't make money off of them, and I don't feel like I should. But I get excited about their histories in a way I don't always about my own original characters (or, I should say, I can come up with the history and ideas, but I find it easier to WRITE the history of someone else's minor character). It can't be laziness, or I wouldn't do any of it. What IS it?
I've done it three times, or should say, feel like I'm in the process of doing it a third time whether I want to or not: Reg Barclay from Star Trek: TNG, Prissy from POTC (she didn't even have a name - the fat woman from the first movie, who rubs up against Will in the tavern), and now it seems my brain wants to take home Hillary from the Tomb Raider movies and feed him little doughnuts (whoops - no, that's me who wants those, sorry) and transcribe his history and minor adventures. Just last night I came up with ideas for two more stories.
(I have other stories I need to finish! I have other characters in the brain already. *weeps*)
What is it about minor characters? Is it because they present such a blank canvas? Is it the mystery of trying to piece together a past or expand upon something glimpsed in canon but not much addressed? I know for a fact some of you have taken someone who had two lines in a movie and given them a better history than screenwriters gave the major characters.
I didn't invent these characters. I don't make money off of them, and I don't feel like I should. But I get excited about their histories in a way I don't always about my own original characters (or, I should say, I can come up with the history and ideas, but I find it easier to WRITE the history of someone else's minor character). It can't be laziness, or I wouldn't do any of it. What IS it?
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I used the real Dick Nash in a fic. Face and Murdock happened to run into him in Brazil. Murdock was pretty chuffed to meet him. :D
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